Art History

Auguste Rodin s emotional inscribe delivery boy and Mary Magdalen marks a signifi cant crimp in art s traditionalistic film of religious concepts eyepatch intentionally rough-hewn in style , the gentlemans gentleman exudes both sadness and sensuality . It s the concept of sensuality that makes the take a crap such a departure from previous eras . The rough and chippy appearance of the cross and surrounding land sharply contrasts with the smoothness of the devil figures Christ and Mary Magdalen depicts a vista of the crucifixion , with Christ in his dying moment . Magdalen grasps at his body and bows her chair against his chest , weeping , while Christ in turn appears to rest his head on her shoulder . It is a scene of both intense sadness and tragic romance- a nett farewell between lovers , perhaps ? This depiction would have been considered passing debatable in traditional religious circles , and unheard of in in the beginning artistic periods where such a liberal comment of the Christ /Magdalen relationship would non have been permittedRodin s artistic environment however , in the late 19th and early twentieth century , was one of social revolution and increasing license of religious and sexual structure . That is not to say that this man and others of his work were not met with controversy , but on the all artists of this period experienced far greater freedom of expression than in centuries pastSuch a contrast in style can be seen when comparing this work to earlier religious form , such as Jean de Liege s Virgin and churl created in the 14th century . Like most traditional pieces , this sculpture features smooth , highly polished surfaces and intense peak Fabric drapery is particularly extravagant , and facial level is extreme- in many cases , depicting single strands of hair .

While it possesses all the detailed design elements that Rodin s piece lacks Liege s sculpture sacrifices that which Rodin strove to attain with his piece- emotional expressionEarlier sculpture focuses on throwing an image , not an idea , while Rodin s piece utilizes minimalism of form in to create an emotional impression on the viewer . Rodin was in full capable of giving his sculpture all the detail present in the Liege piece (a quick viewing of his much traditional realistic pieces are simple enough check of this , however he carefully chose which elements to enhance in to sire his messageSome art historians have suggested that Christ and Mary Magdalen was something of a remonstrance piece for Rodin , expressing his frustration with his Catholic faith . Biographical sources pass on he abandoned his faith after the death of his high-priced sister Maria , and adopted an agnostic view of life-time and Nature . It could have been this rebellion against traditional religious beliefs that fostered his controversial view of Christ and Magdalen , as suffering human lovers quite a than the iconic unfeeling images traditionally depicted in churches . It as well expresses his own sadness over the loss of his sisterThis personal slur on a religious subject is what separates Rodin s work from earlier pieces like that of Liege...If you want to get a full essay, put it on our website: Orderessay

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