In 1987, the Bauhaus Archive organized an exhibition about the College of Design in Ulm called Die Moral der Gegenstände (The Morality of Objects). The Bauhaus itself wanted to improve human being living conditions through design. And today we are witnessing a tender wave of green design.
0. Teaching people to be total better, honourable people through good form
0. The impact of an objects function on ones circumstances (in the perceive of social ethics)
0. The impact of its use on the environment (in the finger of ecological ethics)
0. The impact of its production and disposal processes (also in wrong of its ecological ethics)
0. The impact of the aesthetic expression of design on society
A potential obligation to make the world a more beautiful place
The main problem, however, is that people feel they nominate no chances in life and are excluded from society.
This feeling is exacerbated by the confrontation with a design that emphasizes the actor and luxury of those laid at the center of society. Especially at a time of social insecurity, it is not so much the display of luxury, moreover rather the demonstration of power that can have a divisive effect on society, making the symbolic power of design all the more ethically questionable.
The Bauhaus tried to come up with a simple solution which would overcome severalize differences instead of deepening them. The distinction between aesthetic-symbolic and material application-related make only superficially contrasts with the goals of the Bauhaus which, of course, aimed to unify art and craftsmanship. This propagated synthesis refers to the germinal process,...If you want to get a full essay, order it on our website: Orderessay
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