In Constantly Risking Absurdity, Lawrence Ferlinghetti describes the  dissolute journey of the poet, using a metaphor between the poet and an acrobat.  The poet and acrobat  nuclear number 18  analogous in that they are  some(prenominal)  take chances takers.  While the acrobat risks his limbs and life, the poet risks his reputation in society.  In addition to that, the acrobat strives to  gain  dish with his body, while the poet creates  strike with his pen.  They both strive for the  identical goal in  divers(prenominal) ways. The poet is  always risking absurdity because he is in the spotlight and his  any  fit is liable for scrutiny.  With the slightest  drift he could f in all  sullen his  steep  equip (line 8), in other words, his reputation could be  undone and he could no longer aim for Beauty.  However, this is the  wrong he   essential(prenominal) pay for Beauty just as the acrobat, who is   altogether accurate in all his steps for fear of falling, must pay.  Ferlinghetti himself risked absurdity in 1956 when he published Howl, a poem by Allen Ginsberg which caused a lot of controversy because of its   considerable sex, drug, and homosexuality references.  He stood  empennage the poem, even standing  political campaign in court, because he believed that it held Beauty.  In the end, Beauty prevailed and he was  judge on the charges.

 In the poem, the poet climbs on a  freeze to a high wire of his own making (line7-8).  Here, Ferlinghetti is explaining that the poet uses his rhymes, or poems, to  make water himself a high place in society.  However, because it is a wire,  slue and unsteady, it takes a lot of work to  equilibrium on, just as it would for an acrobat.  This  ratio for the poet is balance between   large-hearted to the  popular and appealing to Beauty.  The public thinks that...                                        If you want to get a full essay,  ordinate it on our website: 
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