Two fields live on for the cashier: the realism of the physical, solid universe and the imperceptible world of prejudices, attitudes, agendas and motives (as represented by characters such as Bledsoe). The lightless Man's world is a place where whiteness is e genuinelything and black is less than nothing. Upon losing the contours of physical substance, the black opus is left with exclusively his invisible psychological state.
Light being the illumination of self-aw atomic number 18ness, throughout the novel, as long as the narrator repeatedly denies his loneliness and alienation, he clay blind to himself and invisible to each(prenominal) others. Invisibility comes from his inability to articulate his suffering. Thus, he remains in the dark concerning his true self, as well as blind to the true nature and motives of others. Bledsoe tells the invisible Man that he, the narrator, does not even know "the difference between the way things are and the way they're supposed to be" (Ellison 139).
So, what is the reality? The Invisible Man's world is initially snake pit and catastrophe: "I felt a sudden fit of blind terror. I was unused to phantom" (Ellison 21). Buying into the myth of the American Dream, he tries to deny the chaos in favor of a nonexistent egalitarian soma and purpose. Early on, he is forced to fight other blind-folded black men for the amusement of dr
unken whites, all the while insisting that his main purpose is to deliver a lofty speech proclaiming humility to be the path to success. When such attempts fail him, the narrator retreats into blankness and shuns true illumination.
In his quest for an leave identity, the Invisible Man is a failed college student, factory worker and human beings speaker as opposed to the identities that others would impose on him. When he tries according to the dictates of others, he fails miserably - suffering betrayal and losing his indecorum as a result. In the Third Act, the narrator realizes that he has invested in an American Dream which both enslaves and excludes him, constantly reminding him, "You're nobody, son. You don't exist - can't you see that?
" (Ellison 143). To have a present or future, the Invisible Man must look to his past.
The body is a illuminate of mechanical mask that individuals hide behind, creating the uncreated features of his face. "Creat[ing] the race by creating ourselves" (Ellison 346) is the only way to become whole. Images of electricity - the power and illumination generated - step forward through the novel. The Monopolated Light and Power gives sight by bend on or off its 1,369 lights. The Invisible Man continues to brook homage to that light, even as its brilliance blocks out his very existence.
The process involves stepping out from the bright, specious light to see clear and be clearly seen. It is "the gap between hearing and cause" (Ellison 16). The Invisible Man's character flaw is his willingness to do others' bidding in order to lasso his own part of the nebulous American dream. Only when he fails to define himself through the traditional routes of fosterage and business does he begin to reconcile his identity with the twine of his skin. Only then can he see the color that has alluded him up to this point - the shade of grey where hidden agendas and false platitudes meet: "If dark glasses and a white hat could blot out my id
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