The Lullaby of Death

She is frightened because of what she would be doing to her little girl, save there is also fear of the real smasheding of these fantasies. That they be related to death is indicated by the repeated mention of urine in the form of streams and rivers, while her death actually is caused by water when she drowns in the pond.

There is irony in the panache she views the tin at the beginning of the story, look forbiddening it as a source of freedom and as a heaven, though it entrust not be a paradise for her. Characteristically, she first sees the abode as a boon because of what it will do for her daughter:

The image of the little girl toddling about this big pace and clambering up the stone steps without first having to search a landlady's face for approval lifted the woman's spirits (166).

The price is let loose and so seductive, drawing her into the house as if preparing her for what is to come. The size of the house appeals, a fact which itself suggests how unhappy she is and how she might want to dismount from this world:

In a house this big, I'll have a place to hide from my husband, the woman thought. I won't have to position against him in a tiny mode anymore, and I won't consider to put up with that hateful look he gives me no matter what I'm doing (167).

In fact, there is not enough room in this house for her to hide from her husband as she wants, and this is pass when she returns from

Even though the married woman is shown to have many reasons for suicide, there are several reasons to see the supernatural influence as real. The husband never tells the wife about the old stories, but when she is cast out of the house, she gets a headache and hears the voices before she goes to the pond and drowns. This might be seen as only he imagination except for the fact that the husband also hears the voices speaking directly to him. The two are in different places at the time, and the story shifts from one perspective to another, presentation that husband and wife are hearing these voices independently. The return of the voices at the end, calling specifically to the husband, could be attributed otherwise to the action of a guilty conscience.

However, the fact that the voices are real does not mean that the woman did not follow their lead because they offered her an escape with suicide, the escape she had been pursuit. Her view of the house as a paradise is more ironic as she commits suicide and so escapes turkey cock a real paradise, this one having been spoiled by her feral husband.

She was the one who had caused all this mess. so what if he had to kick her out--even though she was hanging all all over him and crying? Even if he had kicked her out a dozen times, shouldn't she have kept creep back, apologizing and saying she's listen to him from then on? Wasn't that how a nice, gentle woman was supposed to act? (178).

the movie and is beaten until she is kicked out of the house into the yard.

Chi-won, Kim. "Lullaby." In Words of Farewell, Kang Sok-Kyong, Kim Chi-won, adn O Ching-hui, 166-179. Seattle: Seal Press, 1989.

In fact, the husband has no idea how to act and is always seeking advice from his friends and relatives. He does not buy the house until his friend looks it over and approves. He asks his cousin how to treat his wife, and since that man beats his wife, he does the same.

As noted, the husband knows about the story of the cadre
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